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Arts channel dedicated to capturing the weird, radical and wonderful

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      • Traverse at 50 : Traverse Through TimeIn Summer 2013, Summerhall hosted ten panel discussions on the development and inspiration of Edinburgh’s Traverse Theatre. Over the next few months we’ll be uploading these discussions as an accessible archive of the memories of the key protagonists behind one of the UK’s most influential theatres.
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    • The Red Star ArchiveRed Star cinema was established in 1979 to provide coverage of demonstrations and activities supported by the Labour movement and Trade unions in Central Scotland. Short newsreels were made and shown alongside full length feature films hired from the Other Cinema such as Battleship Potemkin and Battle of Algiers. Red Star went on to make short documentaries on the history of workers cinema and in support of CND and the Sandinista Movement in Nicaragua.
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Tag: Summerhall Festival 2015

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Performance

J runs so fast she bursts into a million tiny pieces, her atoms unknitting themselves and spreading across the universe. Blair stands on a broken pier with a glass of white wine in one hand and a pint of Guinness …

Fable

Performance

Project HaHa welcomes you to an upside-down world. A fertile, green landscape that sews together the silence of possibility and the noise of waiting. Beautiful, placid perhaps, but we will not just sit and study little things, we will look …

Project HaHa

Performance

Written and performed by legendary trans playwright, performer and poet Jo Clifford, this unique and extraordinary show combines theatre with storytelling, spoken word and ritual in a way that, according to one audience member, “leaves everyone feeling blessed”. Join Queen …

The Gospel According to Jesus, Queen of Heaven

Performance

Ventoux is the most fearsome mountain encountered on the Tour de France. It is also the story of Lance Armstrong and Marco Pantani, whose drug-fuelled race back in 2000 was the greatest the world of cycling had ever seen. Ventoux …

Ventoux

Performance

ABACUS is a baroque presentation delivered by Japanese cult-icon Paul Abacus about the future of national borders, the workings of contemporary persuasion, and our evolving relationship to the screens in our public and private spaces, including our pockets. Inspired by …

ABACUS

Visual Arts

The Thermos Museum is a comedic but also edifying experience; suitcases unfold to reveal numerous astonishing displays. However, the public are not free to reign: visitors are escorted around the museum by the mysterious and disenchanted Tour Guide. Digression seems …

The Thermos Museum

Performance

A trip around the world via storytelling at its most effortlessly fluent, 17 Border Crossings starts with a man at a desk on an empty stage and ends up everywhere but. The itinerary: a worse-for-wear Communist-era train traveling from Prague …

Thaddeus Phillips during the performance of 17 Border Crossings

17 Border Crossings

Performance

Shelley Mitchell talks to Summerhall TV about her Edinburgh Fringe show, Talking with Angels: Budapest, 1943. A remarkable true story of four young Hungarian artists and their life-changing conversations they had with what they came to call angels. Gitta Mallasz, …

Talking with Angels: Budapest, 1943

Performance

A baby chick is born and thinks the sky is falling down. On the way to tell the King, she meets Henny Penny, Ducky Lucky and Turkey Lurkey, but there’s a shocking surprise! Chicken Licken grows up to be the …

Chicken Licken and the Little Red Hen

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SUMMERHALL TV

Summerhall TV

/ˈsʌmə/hɔːl/tiːˈviː/ noun: 1. an arts channel dedicated to capturing the visually weird, the socially radical, and the artistically wonderful including Summerhall’s theatre and gallery spaces, libraries, micro-museums and archives 2. a place of fine development, perfection, and beauty in representing local arts.

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The former Royal (Dick) School of Veterinary Studies in Edinburgh currently being transformed into a creative hub for the arts and the sciences with studio and workshop spaces and a high tech incubator.
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