Chantal McCormick : Strange Feathers

October – November TOUR
Ireland

Strange Feathers is an aerial dance performance aimed at the youngest audience, 1-5 year olds. It revolves around two little birds trying to fly with the help of their surroundings in nature. With two aerial dancers and a musician on stage “Strange feathers” mixes contemporary dance, aerial dance and live music in a humorous way. After the performance the children will be invited up on stage to meet the performers and explore the space as feathers drop from the sky. As young children are very tactile beings this helps them take in what they just saw and enhances their experience of the performance.

Paul Winstanley : Faith After Saenredam and Other Paintings

20th May – 1st July 2017
Kerlin Gallery, Dublin

Kerlin Gallery is pleased to present Faith After Saenredam and Other Paintings, an exhibition of new paintings and works on paper by Paul Winstanley. The exhibition will open with a reception in the company of the artist on Friday 19 May.

In this exhibition, Winstanley reimagines lost paintings and drawings by the Dutch Golden Age artist Pieter Saenredam (1597–1665). Best-known for his depictions of whitewashed church interiors, Saenredam captured the restrained character of Dutch Reformation architecture and popularised a new style of realism in the 17th Century. His reverence for serene, deserted interiors, precise use of perspective and muted tones find an echo in Winstanley’s work, which has depicted similarly ascetic spaces in the past: British art schools during summer break, vacant walkways, veiled windows and empty TV lounges.

Winstanley began this body of work with Lost (After Saenredam), which recreates a missing Saenredam painting of Utrecht’s Mariakerk (1647) from a surviving, and technically accurate, preparatory sketch (1642). In a second work, Faith (After Saenredam), the artist shifts the viewpoint slightly to include a window and golden tapestry known to have existed in the church, rendering the tapestry in gold leaf. Made to the same dimensions, and using the same source material, the differences between these two paintings underscore the ambiguities implicit in reimagining such works.

This examination of pictures and picturing, of authorship and technical means, continues throughout the exhibition. Apostasy (Drift) and Apostasy (Enrapture) depict viewers, en masse, moving and stationary before semi-anonymous religious icon paintings in London’s National Gallery. In another work, a couple share a moment, gazing at a Vermeer painting. These paintings within paintings, also rendered with gold leaf, glow with an otherworldly light amongst the prosaic reality of the depicted museums. Each meditates on the act of looking: at the ‘fictional’ and the ‘real’; the ‘original’ and the ‘quoted’. Despite this layering and dismantling of authorship, Winstanley’s intention and expression is fully evident in this body of work.

Lupita De Bháil : Soundings

23 May 2017 – 10 Jun 2017
Old Market House Arts Centre, Dungarvan

To capture line, shape, form and colour has long been the quest of Fine Artist Lupita De Bhail. Then to take that line and develop it into shape and form, and to give that form colour which is meaningful has been her endeavour. She uses acrylics and pastels to capture the elusive nuances of light and shade as a way of defining form in her still lives, landscapes and figure paintings. All of the above mentioned elements are used to create balance which is crucial to the overall composition of her work. This balance is created by using these elements in tandem so that a strong rhythm permeates throughout her work.

Lupita De Bhail’s latest exhibition “Soundings” is at the Old Market House Arts Centre Dungarvan and is open Tuesday to Friday 11am-5pm (lunchtime close 1.30 to 2.30pm) and Saturdays 1pm to 5pm. Admission is free and all are welcome.

Stephan Roche : Galway International Arts Festival

126 Gallery, Galway
2017 Galway International Arts Festival Exhibition
17 – 30 July 2017

126 is the West of Irelands’s first artist-led exhibition space. This year, 126 will curate an exhibition of emerging artists from Ireland to show to the Galway International Arts Festival’s international audience.

Paddy Bloomer : Personal Deployable Crannog

19 May to 3 June
Leitrim Sculpture Centre

Bloomer’s creations of ‘machines that don’t exactly work’ present a humorous and critical challenge to the dysfunctional and irrational technologies that drive societal change. Working mostly with the found detritus of technology Bloomer presents hybrid experiments that move across diverse concerns and boundaries placing himself and his work within the technological landscape and the many challenges, opportunities as well as dangers that underpin its unfettered development.

His interests lay in finding and exploiting unusual power sources, waste disposal sites, health and safety legislation and subverting public infrastructure towards alternative forms of mobility and human settlement. This highly collaborative practice engages with a wide range of communities and found materials through extensive and immersive fieldwork and it is out of these encounters that the artist orchestrates new work and activates new sites of concern.

Una McCarthy : Reconstructing Memory

28 April to 18 June
Limerick City Gallery
Carnegie Building, Pery Square, Limerick

Reconstructing Memory is a multifaceted exploration of the approaches to death in Mexican and Irish cultures by Clea Van der Grijn. The exhibition features highlights from The Graeve Collection + LCGA Permanent Collection and Daire O’Shea, LCGA Bursary recipient 2016.

Nathan Twomey : D!VE Indoors

D.VE Indoors is a exhibition dedicated to Contemporary Urban Graffti Art. D.VE is a urban graffti artist who lives in Berlin and has had multiple exhibtions around Germany. The exhibtion itself will be one of Urban delights with a aquatic and naturous twist and is not to be missed.

The exhition will open May 12th at 7pm, with live music from Cian Hack on the night. This is a free event, with wine and cheese reception.

25 Michael Street, The Rogue Gallery and Studios

Stephan Roche : Fleeting

13 to 28 May 2017
126 Artist-Run Gallery, 15 St Bridget’s Place, Galway

Laura Kelly’s process-based practice is focused on making an expanded form of drawing. Her constructed drawing installations move between the wall and floor and are constituted from a variety of ephemeral materials – including paper, wood, thread, graphite and tape – and incorporate both 2- and 3d elements.

For this exhibition, she has created two new works. Both works allude to an ambiguous and dislocated sense of place. Informing her work is a broad range of reference points ranging from the pictorial landscape tradition, the nature of perception, mark-making and the creation of illusion to Japanese spatial aesthetics. This current work is the continuation of a series begun during a Winter Residency in The Banff Centre, Canada in 2016.

For further information please contact contactg@126.ie

Anneli Holmstrom : -}}}}}} : {{{+}}}

Sat 20 May 2017 – Fri 14 Jul 2017
Venue: Meadows Gallery, Summerhall

-}}}}}} : {{{+}}} is the title of Scottish born artist Anneli Holmstrom’s first UK solo show presented as part of Summerhall’s Curated Programme.

The work on show centres upon two new bodies of work, Levitation and Flood, which aim to visualise the temporal dualities between absence and presence when viewed together. Holmstrom’s interdisciplinary practice builds upon meditative and romantic microcosms to create an atmosphere of ‘oneness’ and concentration, it is through this that -}}}}}} : {{{+}}} aims to offer a new visual experience of the meeting of two distinct, yet inherently interlocked psychological worlds.

The exhibition will be accompanied by texts written by poets JL Williams and Janette Ayachi, scientific researchers Alex Murphy and David Carmel, artist-researcher Dr. Louise Milne and philanthropist Fatima Ashrif.

Jim Furlong : The Cool Vernacular

12 to 27 May 2017 | Opening: 11 May, 6pm
Belltable, 69 O’Connell street, Limerick

Limerick Printmakers are proud to announce the opening of The Cool Vernacular, an exhibition of new work by emerging Limerick based artist Jim Furlong. The exhibition will be held in the Belltable.
Jim Furlong is the recipient of the 2016/17 Tom Fox Painting Award, an accolade bestowed on an outstanding graduate of LSAD’s Painting degree program each year. The Fox family has kindly supported this bursary over the last five years as a way of commemorating the Limerick based painter Tom Fox’s life and untimely passing in September 2010. The award has become an integral part of Limerick Printmakers remit and one that reinforces Limerick Printmakers ethos of supporting artists working within various visual art disciplines.

Laurence O’Neill : Elsewhere

29th April – 23rd June 2017
Luan Gallery, Athlone, Co. Westmeath

Luan Gallery is thrilled to announce its spring 2017 exhibition entitled: Elsewhere. Featuring the works of three Athlone artists Elsewhere showcases the sterling talents of: Catherine Rock, Lawrence O’Neill and Lelia Henry.

The exhibition is presented in 3 parts featuring three distinct exhibitions of work in painting, sculpture and drawing. Each artist occupies a solo space in the gallery with Catherine Rock’s abstract expressionist paintings housed in the New Gallery, Lawrence O’Neill’s 3D sculpted objects sitting along the River Gallery and Lelia Henry’s black and white charcoal drawings residing in the Library Gallery.

Peter Reid : Brilliant Geometry

Fri 12 May 2017 – Sun 04 Jun 2017
Venue: Sciennes Gallery, Summerhall

Brilliant Geometry is a collaboration between the School of Mathematics at the University of Edinburgh, the Department of Mathematics at Oklahoma State University, and the Warwick Mathematics Institute. We bring the creativity and precision of mathematics to the general public; we do this with computer aided design, recent innovations in 3D printing, and very, very bright lights!

Brilliant Geometry consists of a variety of exhibits: hand-held projectors, shadow lanterns, and a zoetrope, which animates 3-dimensional objects before your eyes. Each exhibit invites our guests to play with some combination of mathematical ideas: we cover the concepts of dimension, of projections between spaces, of polygons and polytopes, and of geometric tilings.

Polytopes are mathematical building blocks, used to construct more complicated patterns called tilings: an everyday version of this is the way in which bricks tile a path. It is a deep principle in science that the local properties of a polytope determine the global structure of the tiling. To see these global structures we often have to distort and squeeze the big tiled thing to fit into our (quite small!) three-dimensional space. We have a tricky way to do this – the dignified term is “stereographic projection”. We invite you to come and see the tricky tilings at Brilliant Geometry!

Lelia Henry : Elsewhere

29th April – 23rd June 2017
Luan Gallery, Athlone, Co. Westmeath
Luan Gallery is thrilled to announce its spring 2017 exhibition entitled: Elsewhere. Featuring the works of three Athlone artists Elsewhere showcases the sterling talents of: Catherine Rock, Lawrence O’Neill and Lelia Henry.
The exhibition is presented in 3 parts featuring three distinct exhibitions of work in painting, sculpture and drawing. Each artist occupies a solo space in the gallery with Catherine Rock’s abstract expressionist paintings housed in the New Gallery, Lawrence O’Neill’s 3D sculpted objects sitting along the River Gallery and Lelia Henry’s black and white charcoal drawings residing in the Library Gallery.

Alistair Richardson : Welcome To The (Loving) Machine 2017

Jamming from 20th till 25th May in the WhiteSpace Art Centre 76 East Crosscauseway Edinburgh

Come along to Alistair Richardson’s exhibition of programmed musicians digitally conducted. A fascinating performance where the computers really are in charge.

Alistair has worked as a programmer for IBM laboratories and worked with Trusthouse Fortie as programmer and hard core assembler.

There will also be a CGI film projection running alongside the musical performance created by Alistair.

Catherine Rock : Elsewhere

29th April – 23rd June 2017
Luan Gallery, Athlone, Co. Westmeath

Luan Gallery is thrilled to announce its spring 2017 exhibition entitled: Elsewhere. Featuring the works of three Athlone artists Elsewhere showcases the sterling talents of: Catherine Rock, Lawrence O’Neill and Lelia Henry.

The exhibition is presented in 3 parts featuring three distinct exhibitions of work in painting, sculpture and drawing. Each artist occupies a solo space in the gallery with Catherine Rock’s abstract expressionist paintings housed in the New Gallery, Lawrence O’Neill’s 3D sculpted objects sitting along the River Gallery and Lelia Henry’s black and white charcoal drawings residing in the Library Gallery.

Elaine Coakley : Elsewhere

April 28th – May 20th

Participating artists:

CIT Wandesford Quay Gallery – Megan and Cassandra Eustace, Helen Horgan, Róisín Lewis, John Kent, Ben Reilly, Éilis Ni Fhaoláin, Luke Sisk

Elizabeth Fort – Johnny Bugler, Angie Shanahan, Tracy White Fitzgerald, Elaine Coakley, Gerard O’Callaghan, Jo Kelley, Peter Martin, Helen O’Keeffe, Angela Gilmour, Darn Thorn, Sean Hanrahan

There is an ambiguity about the word ‘elsewhere’ – it suggests somewhere else but nowhere in particular; a place as yet unknown or a place that no longer exists. It can also suggest an absence of someone or some thing, or if someone or some thing has come from elsewhere there is an absence of identity, of specificity, in their place of origin. Visual art exhibitions have the ability to harness this sense of ambiguity; even the artworks themselves are often made elsewhere, in a private place that is not usually specified, and then transported to a public arena, which could be many miles away from its place of construction. The artists in this exhibition, however, are exhibiting in sites that are in close proximity to the studios where the work was made. The place of their making to the sites they will be viewed is not so far apart, yet through their investigations of place, transience and the intersections between human activity and nature, they can bring to mind a time long since past, some other place or trace of a memory that is non-specific, allowing the viewer to look for meaning according to some ‘elsewhere’ in their own experiences. And because our sense of place is like an entity that exists in us independent of sensory cues we can feel strong emotional feelings towards, for instance, the places we grew up in or know well. We are, nonetheless, often compelled to feel empathetic to the traces left behind by others in abandoned homes, or a strong sense of curiosity to historic ruins and ancient maps; objects and images represent past and future for us in a way that our fugitive memory often fails.

The founders of the Backwater Artists Studios were all graduates of the nearby CIT Crawford College of Art and Design (CIT CCAD) and a key aspect of this exhibition is the collaborative support of CIT CCAD including an interactive project with undergraduate students of the college. This interaction involves third year students from both the Fine Art and Contemporary Applied Art Degree Courses pairing up with an exhibiting artist and meeting with them on a regular basis to talk about their approach to the exhibition, the work they intend to make and to track their progress towards completion and presentation. During these regular meetings the students gained valuable insight into the thought processes as well as the real-world practicalities of being involved in a group exhibition and of working in a group studio environment.

Helen Farrell is a visual artist based in Cork City, a former member of Cork Artists Collective and a founding director of Cork Film Centre. She currently teaches at CIT Crawford College of Art and Design and in 2016 graduated with a Doctorate in Philosophy from University College Cork funded by an Irish Research Council Scholarship.

Declan Sheehan : Francis Ledwidge – Ireland’s Soldier Poet

28 April – 16 June, 2017
Solstice Arts Centre

In association with the Nerve Centre, Derry~Londonderry
Script: Martin Melarkey, Artwork: David Campbell

Francis Ledwidge, Ireland’s Soldier Poet is a graphic novel of the life of Francis Ledwidge. The work opens with quotes from Seamus Heaney’s poem dedicated to Ledwidge, In Memoriam Francis Ledwidge (1979), and illustrates a biographical account of Ledwidge’s life in graphic form. This series was originally produced by the Nerve Centre as part of their Creative Centenaries project offering an insight into the lives of renowned Irish poets in relation to the Easter Rising and the First World War.

Thorunn Bara : Light, Land, Latitude 2017

Venue: War Memorial Library, Summerhall

Two Scots and an Icelander exhibit together, inspired by the wilderness landscapes of the North. SANDI ANDERSON focuses on the light and momentary glimpses. THORUNN BARA takes the bio-colonisation of the island of Surtsey as her starting point to consider the relationship between art and science in the natural world. MARY WALTERS concentrates on an emotional response to the seeming solidity of geology, rendered almost visibly fluid by the forces of the elements.

On Saturday 27th May and Sunday 28th May Mary will have an additional pop-up exhibition with tea and cake in SUMMERHALL STUDIO 301 where further Iceland research material/sketchbooks/drawings and other developmental work will be on show and sale.

Sabina McMahon and Patricia Byrnes : A Name Unmade: Francis Ledwidge (1887-1917)

28 April-16 June 2017
Solstice Arts Centre

Featuring work by Sven Anderson, Patricia Burns, David Farrell, Clare Langan, Mick O’Dea, Niamh O’Malley and Sasha Sykes
Curated by Sabina Mac Mahon, Curator in Residence, Solstice Arts Centre, 2017

It is too late now to retrieve
A fallen dream, too late to grieve
A name unmade, but not too late
To thank the gods for what is great;
A keen-edged sword, a soldier’s heart,
Is greater than a poet’s art.
And greater than a poet’s fame
A little grave that has no name.

Opening on Poetry Day Ireland in the centenary year of Francis Ledwidge’s death, A Name Unmade: Francis Ledwidge (1887-1917) is an exhibition of new and recent work by contemporary visual artists presented in response to the life and work of the Meath poet, naturalist, activist, nationalist, and soldier. Select archival and biographical material, as well as excerpts from Ledwidge’s poems, will also accompany the show, which takes place on the occasion of Solstice Arts Centre’s tenth anniversary.

Francis Ledwidge, who was born and lived most of his life just outside Slane village, was killed in action during preparations for the Third Battle of Ypres on 31 July 1917. Frequently referred to as “the poet of the blackbirds”, his early work was inspired by the countryside of his home county, a subject he returned to
with poignant longing in more mature works written following his enlistment in October 1914. While his posthumous status has, somewhat unfairly, been reduced to that of “war poet”, the majority of his works focus on an emotionally intense exploration of the intimate and complex connection he felt to the landscape in which he grew up.

Taking as its title a line from Soliloquy, one of Ledwidge’s best-known poems, this exhibition aims to re-introduce Ledwidge, his life-story and his work to the wider Irish public by exploring, both in relation to Ledwidge and in a wider sense, the conjoined themes of love and loss (of home, friendship, family, romantic love, place, idealism) that were central to his work.

The exhibition will be accompanied by a full programme of education and family events as well as the display of Francis Ledwidge: Ireland’s Soldier Poet, a graphic novel produced by the Nerve Centre, Derry-Londonderry, as part of their Creative Centenaries project.

Sandi Anderson – Light, Land, Latitude 2017

_ Venue: War Memorial Library, Summerhall
Two Scots and an Icelander exhibit together, inspired by the wilderness landscapes of the North. SANDI ANDERSON focuses on the light and momentary glimpses. THORUNN BARA takes the bio-colonisation of the island of Surtsey as her starting point to consider the relationship between art and science in the natural world. MARY WALTERS concentrates on an emotional response to the seeming solidity of geology, rendered almost visibly fluid by the forces of the elements.

On Saturday 27th May and Sunday 28th May Mary will have an additional pop-up exhibition with tea and cake in SUMMERHALL STUDIO 301 where further Iceland research material/sketchbooks/drawings and other developmental work will be on show and sale.

Sandi Anderson – Light, Land, Latitude 2017

_ Venue: War Memorial Library
Two Scots and an Icelander exhibit together, inspired by the wilderness landscapes of the North. SANDI ANDERSON focuses on the light and momentary glimpses. THORUNN BARA takes the bio-colonisation of the island of Surtsey as her starting point to consider the relationship between art and science in the natural world. MARY WALTERS concentrates on an emotional response to the seeming solidity of geology, rendered almost visibly fluid by the forces of the elements.

On Saturday 27th May and Sunday 28th May Mary will have an additional pop-up exhibition with tea and cake in SUMMERHALL STUDIO 301 where further Iceland research material/sketchbooks/drawings and other developmental work will be on show and sale.

Mary Walters : Light, Land, Latitude 2017

Venue: War Memorial Library, Summerhall

Two Scots and an Icelander exhibit together, inspired by the wilderness landscapes of the North. SANDI ANDERSON focuses on the light and momentary glimpses. THORUNN BARA takes the bio-colonisation of the island of Surtsey as her starting point to consider the relationship between art and science in the natural world. MARY WALTERS concentrates on an emotional response to the seeming solidity of geology, rendered almost visibly fluid by the forces of the elements.

On Saturday 27th May and Sunday 28th May Mary will have an additional pop-up exhibition with tea and cake in SUMMERHALL STUDIO 301 where further Iceland research material/sketchbooks/drawings and other developmental work will be on show and sale.

Tony Kew : Swansong

Sun 23 Apr – Fri 19 May
Court House Arts,Tinahely

Tony Kew was born in Johannesburg, South Africa in 1937, where he studied in the Johannesburg School of Art. In 1967 he immigrated to Toronto, Canada when he was thirty years old. During his career in commercial art in Toronto and New York he received over thirty awards of merit and creativity. He began painting seriously in 1974. Almost ten years later, in 1983 he was chosen to design images for Canada Post and for Canadian Embassies throughout the world. He now lives in Aughrim, Co. Wicklow.

Tony is a painter with a preoccupation with the human form and in the realistic and surrealistic genre. His work has sold in eleven countries: Ireland, USA, Bermuda, Canada, South Africa, Spain, England, Belgium, Holland, Germany and Italy. Tony’s work is represented in several corporate collections; collected Imperial Oil of Canada and Texaco Canada Inc as well as numerous others. His paintings have been seen on RTE on television programmes such as the Angelus, Time Out and IRIS. His portraiture has won awards.

Mary Walters – Light, Land, Latitude 2017

_ Venue: War Memorial Library, Summerhall
Two Scots and an Icelander exhibit together, inspired by the wilderness landscapes of the North. SANDI ANDERSON focuses on the light and momentary glimpses. THORUNN BARA takes the bio-colonisation of the island of Surtsey as her starting point to consider the relationship between art and science in the natural world. MARY WALTERS concentrates on an emotional response to the seeming solidity of geology, rendered almost visibly fluid by the forces of the elements.

On Saturday 27th May and Sunday 28th May Mary will have an additional pop-up exhibition with tea and cake in SUMMERHALL STUDIO 301 where further Iceland research material/sketchbooks/drawings and other developmental work will be on show and sale.

Michael Barr : Hostipitalidade

14 April – 6 May 2017
Talbot Rice Gallery

Based on a story that a live female puma once roamed Talbot Rice’s Georgian Gallery in 1827, Glasgow-based artist Michael Barr recently undertook his own ‘residency’ in the university’s Old College Quad. Mirroring the duration of the puma’s stay, Barr made approximately thirty performative interventions over a six month period, each lasting several hours. His costume, leaving only the eyes uncovered, was loosely informed by physical descriptions of the puma, but developed more fully from Barr’s interest in the uncanny. Unexplained and silent, these performative actions presented an unyielding, ambiguous ‘otherness’ to a public audience, allowing Barr to variously – even simultaneously – occupy positions of authority and vulnerability.

Barr’s exhibition creatively documents this ‘residency’ and the story of the puma, evading direct representations in order to preserve the resonance of the performative encounter. The costume will be displayed alongside a new etching of Barr in the Quad, historic images of the puma and a sculptural monument. A new video installation develops a critical strand of Barr’s practice, centred on the notion of ‘hospitality’. Deriving from an interest in Emmanuel Levinas and Jacques Derrida’s writings on ‘otherness’, the video will blur the lines dividing the figure of the ‘host’ from that of the ‘hostage’, and situate Barr’s performative work somewhere in these muddy waters. Questioning different power structures and those moments where generosity and threat become difficult to distinguish, the exhibition rubs up against colonial histories and scratches at the surface of our contemporary political landscape.

Thorunn Bara : Light, Land, Latitude 2017

Venue: War Memorial Library, Summerhall

Two Scots and an Icelander exhibit together, inspired by the wilderness landscapes of the North. SANDI ANDERSON focuses on the light and momentary glimpses. THORUNN BARA takes the bio-colonisation of the island of Surtsey as her starting point to consider the relationship between art and science in the natural world. MARY WALTERS concentrates on an emotional response to the seeming solidity of geology, rendered almost visibly fluid by the forces of the elements.

On Saturday 27th May and Sunday 28th May Mary will have an additional pop-up exhibition with tea and cake in SUMMERHALL STUDIO 301 where further Iceland research material/sketchbooks/drawings and other developmental work will be on show and sale.

Tom Molloy : Celebration

14 April to 10 June 2017 | Opening: 13 April, 7pm
Garter Lane Arts Centre, Waterford

Garter Lane Arts Centre is delighted to present ‘Celebration’, a solo exhibition by Waterford-born artist Tom Molloy.
Molloy’s work foregrounds highly charged social and economic issues, with subtlety and impartiality, using existing or found material downloaded from the internet, from newspapers and other mainstream media. Central to this solo exhibition is Protest (2012) a 10m long installation in which Molloy rounds up a miniature mob of protesters in a collective meta march. Detaching them from their original context, Molloy bands them together in a heterogeneous micro- procession of picketers from various periods in history.

Albert Walsh : Behind the Vitrolite Shopfront

14 April to 10 June 2017 | Opening: 13 April, 7pm
Garter Lane Arts Centre, Waterford

Garter Lane Arts Centre presents Behind the Vitrolite Shopfront, an exhibition of photographic works by Albert Walsh which examines how traditional and emerging ways of being coexist in contemporary Irish society.

Vitrolite, an opaque pigmented fire-toughened glass, was widely used as cladding for shopfronts, beginning during the Art Deco period and continuing until the late 1950s. Hogan Hairdressers, established in Waterford in the mid-1950s, is a distinct example of a Vitrolite shopfront from that decade. Behind the Vitrolite Shopfront invites the viewer beyond this façade and into a world where traditional practices have changed very little – a glimpse of how a little piece of Americana was brought to 1950s Waterford. This series of photographic works documents how business traditions have remained steadfast in the face of societal and economic pressures for change and how consistent change renders the once mainstream unconventional.

Paul McAree : Massimo Bartolini

2 April – 27 May 2017
Lismore Castle Arts, Lismore, Co. Waterford

Lismore Castle Arts presents the first solo exhibition in Ireland of Massimo Bartolini.

Responding to the unique gallery space that is St Carthage Hall, the artist has created a new organ piece specially for the building. The piece takes the form of a ‘well’ with a music box inside – the box plays the first 10 bars of the John Cage work In a Landscape. Related to other organ works by the artist, it functions like a barrel organ which plays automatically. The air blown through the metal pipes first passes through the holes in the music roll, giving rise to variations in tone and length. The air passing through the mechanics also lends the work a strangely human quality, further referencing spiritual connections. The juxtaposition of a minimal, brutalist structure with such an intimate, fragile sound is central to Massimo’s practice.

Massimo Bartolini’s work embraces various materials and techniques, from sculpture and performance to photography. His works have included an elevated floor that created the impression of distorted space; an installation in which a device on the heel of a visitor’s shoes altered the light in the exhibition space; and rooms suffused with perfume and the sound of leaking water. These, often sensual, artworks induce in the viewer a meditative state that is still highly experiential, making us reflect on the relativity of what is stable and unchangeable.

This exhibition is kindly supported by The Arts Council Ireland, Frith Street Gallery, London and The Shifting Foundation.