Paul McAree : Anthony McCall

2 April – 15 October 2017
Lismore Castle Arts

Lismore Castle Arts is delighted to present a solo exhibition by Anthony McCall, bringing together seminal early works such as ‘Line Describing a Cone’ (1973), alongside complex new works such as ‘Swell’ (2016). This will be Anthony McCall’s first solo exhibition in Ireland and presents a rare opportunity to see this important and groundbreaking work.

Anthony McCall (born 1946) is a British-born New York based artist and was a key figure in the avant-garde London Film-makers Co-operative in the 1970s. His earliest films are documents of outdoor performances that were notable for their minimal use of the elements, most notably fire, in the work ‘Landcsape For Fire’ (1972) which will feature in the exhibition.

Works such as ‘Line Describing a Cone’, are based on simple, animated line-drawings, projections which strikingly emphasize the sculptural qualities of a beam of light. In darkened, haze-filled rooms, the projections create an illusion of three-dimensional shapes, ellipses, waves and flat planes that gradually expand, contract or sweep through space. In these works, the artist sought to deconstruct cinema by reducing film to its principle components of time and light and removing the screen entirely as the prescribed surface for projection. The works also shift the relationship of the audience to film, as viewers become participants, their bodies intersecting and modifying the transitory forms.

The exhibition will be accompanied later in the summer by a fully illustrated catalogue, featuring installation images of the exhibition at Lismore.

Anthony McCall at Lismore Castle Arts is kindly supported by Sean Kelly Gallery, New York and Sprüth Magers London.

Ann Davoren : Uillinn, West Cork Arts Centre

West Cork Arts Centre was established in 1985 in Skibbereen, Co. Cork. It is a publicly funded arts facility that creates opportunities for the people of West Cork to have access to, and engagement with, local and global arts practice of excellence.

It supports a multi-disciplinary arts programme with a focus on contemporary visual art . It is a resource and development agency, providing expertise and physical and human resources to assist artists, other arts organisations, groups and individuals to realise arts projects.

It is committed to exploring new and innovative ways of combating the challenges facing audience development and participation, and the development of opportunities for artists, especially in relation to those located in rural communities.

Currently WCAC provides a range of education and community programmes for adults and children at the Centre in Skibbereen and throughout the West Cork region. The unique and enriching opportunity to experience and work with real artworks and live artists is explored through many of its programmes. West Cork Arts Centre places education at the heart of its activities with a wide range of arts workshops, community-based projects, film screenings, seminars, talks and gallery tours on offer throughout the year.

West Cork Arts Centre covers the Skibbereen and Bantry urban and rural area which stretches from the Beara Peninsula in the west, to Clonakilty in the east, from Dunmanway in the north, to the islands of Cape Clear and Sherkin in the south. A considerable number of artists and crafts people from Ireland and abroad are living and working in the area.

Partnerships with other organisations and agencies are formed to deal with this geographical area and this is a vital strategy for realising the objectives of the Centre.

Andrew Holden : The Collector

The piece is being co-produced by Waterford actor Andrew Holden (who also stars) in association with Central Arts. It is directed by up-and-coming Cork director Killian Collins and also stars Paula Weldon, who will be well-known to many for her outstanding performances in many musicals.
Based on the classic novel by John Fowles, The Collector is a story of possession, obsession and love is considered one of the great works in modern literature. The Collector is a piece of theatre that captures your subconscious and possesses you. You will leave the theatre questioning your morals; the judgements of what you hold dear and close to your heart. The highly controversial novel, first published in 1963, has become more relevant as the decades have progressed.
The Collector tells the story of Frederick Clegg. Frederick is a socially awkward young man that collects butterflies. He becomes infatuated with the beautiful, unapproachable art student Miranda Grey. No longer able to watch from afar, Frederick does the unthinkable and resorts to “collecting” her. What unfolds between the captor and the prisoner is a battle of wills and an exploration of privilege that will have the audience second guessing their inner moral dialogues.

Tour

Rosemary Meegan : The Lion King Jr. – St. Paul’s Primary School, Navan

Tuesday 9th – Friday 12th May, 8pm
Solstice Arts Centre

The Lion King Jr. will be St. Paul’s 5th musical production, which runs every 4 years and includes every child from 3rd – 6th class. Following 2013’s Alice in Wonderland, this year promises to be an even wilder affair with a full cast of lions, lionesses, hyenas, a large jungle ensemble and even larger show ensemble! In total 360 girls and boys are involved under the able direction of Rosemarie Meegan, choreographer Fiona Carroll and musical directors Jacinta McEvoy and Seánaí Conlon.

The Lion King Jr. tells the story of the epic adventures of a curious cub named Simba as he struggles to accept the responsibilities of adulthood and his destiny as king. Along the way, the young lion encounters a colourful cast of characters, including spunky lioness Nala, charismatic meerkat Timon and loveable warthog Pumbaa. To claim his rightful place on the throne and save his beloved Pridelands, Simba must find his inner strength and confront his wicked Uncle Scar. The Lion King Jr. features classic songs from the 1994 film, such as ‘Hakuna Matata’ and ‘Can You Feel The Love Tonight”.

Shannon Cash & Evan Smith : Zero for the Young Dudes

28th to 30th April
Lyric Theatre, Belfast
Greise Youth Theatre

By Alistair McDowall performed by Greise Youth Theatre. The inmates at a bizarre summer camp are plotting a revolution. Or has it already happened…Spending a day watching their schedule of exercise, lessons and meals, a long history of unrest and injustice lies hidden, and as the day wears on, a violent future looms large on the horizon. The play contains strong language and violent scenes which may not be suitable for anyone under 13.

Ann Luttrell and Liam Roynane : Cork World Book Fest 2017

Paul Howard, Eileen Battersby and Anne Sebba, William Wall, Billy O’Callaghan and Alan McMonagle are the first of the writers to be announced for the 13th outing of the Cork World Book Festival running 18-23 April 2017 at Cork City library, at Triskel Christchurch and on Cork’s Grand Parade.

Year on Year the festival has featured an eclectic mix of books of all types – poetry and prose, fiction and nonfiction, travel and memoirs, comedy and cookery. 2017 will not disappoint with tours, book clubs, a full day of teen events and readings by poets and writers both local and international.

18 – 23 April 2017
Cork City library, Triskel Christchurch and on Cork’s Grand Parade.

David Jacques : Oil is the Devil’s Excrement

Thursday 6 April 2017 – Saturday 27 May
Triskel Arts Centre, Cork

Film installation and accompanying exhibition by David Jacques using the infamous quote by OPEC originator Juan Pablo Pérez Alfonzo as a starting point to explore the devastating rise of an Oil industry tethered to Capitalism. The narrative then weaves through a variety of historical and thematic registers taking in Jungian theory, medieval Daemonology and Cold War era ‘Weird Fiction’.

Juan Pablo Pérez Alfonzo (1903-79) was a Venezuelan Minister for Energy and the Architect of the Oil Cartel OPEC. In 1975 he controversially stated: “Ten years from now, twenty years from now, you will see; oil will bring us ruin. Oil is the Devil’s excrement”.

The animation at the centre of David Jacques’ exhibition at Triskel Christchurch takes its title from Alfonzo’s prophetic call. A call that also acted as an invocation, ‘Oil is the Devil’s excrement’ was an allegoric line attributed to pre-modern Native peoples in Latin America.

Alfonzo’s claim focussed upon the rapid and powerful emergence of an Oil industry tethered to Capitalism and predicted a demise of mythic proportions. Jacques’ work uses this context as its starting point. His narrative then weaves through a variety of historical and thematic registers taking in Jungian theory, medieval Daemonology and Cold War era ‘Weird Fiction’.

David Jacques is a Multi-Media Artist based in Liverpool UK. He previously exhibited at Triskel in 2005 with a touring show of work developed whilst he was a recipient of the Firestation Dublin’s Artist in the Community Award.

‘Oil is the Devils Excrement’ exhibition opens at Triskel Christchurch on Thursday 6 April

Artist tour 5pm | Launch reception 6pm. Admission Free All Welcome

Exhibition open Tuesday – Saturday 10am – 4pm* (10am – 12pm only on Wednesdays) until Sat 27 May.

The video will play on big-screen 3.30pm-5.30pm on selected Tuesdays.

Tuesday Schedule

11/04/17 3.30pm-5.30pm
18/04/17 3.30pm-5.30pm
25/04/17 3.30pm-5.30pm
02/05/17 3.30pm-5.30pm
09/05/17 3.30pm-5.30pm
16/05/17 3.30pm-5.30pm
23/05/17 3.30pm-5.30pm

Aidan Dooley : Tom Crean Antarctic Explorer

Hear the riveting true stories of Crean’s Antarctic explorations as one of the few men to serve with both Scott and Shackleton and survive three famous expeditions: Discovery, (1901 – 1904); Terra Nova (1910 – 1913); and Endurance (1914 – 1916).

Crean’s story is a testament of human fortitude against all the elements of Antarctic, his 36 mile, solitary trek to base camp during the Terra Nova expedition to rescue his comrades Teddy Evans and William Lashly has been described by Antarctic historians as “the finest feat of individual heroism from the entire age of exploration”.

Tour

Catherine Bowe : Living Arts Project Exhibition

1 April to 6 May 2017
Wexford Arts Centre, Cornmarket, Wexford

Living Arts Project Exhibition 2016-17 in association with Wexford County Council and the Arts Council.
The Living Arts Project was established in 2013 as a long term visual arts educational scheme, supporting the existing partnership between Wexford Arts Centre and the Arts Department of Wexford County Council. The aim of this project is to provide children with an understanding and appreciation of contemporary art. The project also seeks to support the primary school curriculum by introducing teachers to new techniques and teaching methods. The Living Arts Project exhibition represents a selection of work produced by the participating schools and artists, offering pupils and their families a chance to see their work presented in a professional gallery. Exhibition opened by County Arts Officer Liz Burns.

The following artists and schools were selected to participate in this year’s programme: Mary Claire Kehoe with St. Patrick’s National School, Gorey, Co.Wexford; David Begley with Cushinstown National School, Foulksmills, Co. Wexford; Tara McGinn with Kennedy Park National School, Wexford Town and Oonagh Latchford, Our Lady of Fatima National School, Wexford Town.

Noel Bowler : Union

Thursday 6 April – Sunday 14 May 2017
Gallery of Photography, Dublin

Noel Bowler’s expansive project ‘Union’ looks at the spaces of organised labour. ‘Union’ explores the meeting rooms and back offices at the coalface of the ideological war between labour and capital that has shaped our lives since the industrial revolution.

Mostly unpeopled, these interior spaces are quietly revealing. Some organisations occupy the simplest of functional spaces, others confidently demonstrate their rootedness within the established order of things, their spaces echoing the board rooms of corporate power. There is lightness of touch, too. The ZNP Union of Polish Teachers will convene in what is, in every sense, a classroom, complete with blackboard; while at The Brotherhood of Teamsters in Washington DC even the chairs huddle in conference.

“It’s heartening to spend time with Bowler’s quietly anchored work, to recognise the value and richness of all these sustained labours and understand that there are still sharp minds and strong hands ready to navigate difficult waters” – Ken Grant

Reception kindly supported by Teeling Whiskey

Maolíosa Boyle : RUA RED

RUA RED – South Dublin’s Hub for Creative Activity.

RUA RED South Dublin Arts Centre is a unique and inspiring arts centre based in the heart of Tallaght, catering for the artistic needs of all South Dublin. Opened in 2009 after an investment of almost €10 million in cultural facilities by South Dublin County Council, it’s one of the largest multi-disciplinary arts venues in Ireland.

RUA RED provides the opportunity for people of all backgrounds and ages to witness and partake in Theatre, Dance, Music, Literature, Film-Making, e-learning, Visual Art and all that the arts have to offer.

RUA RED, Tallaght, Dublin

Ann Luttrell and Liam Roynane : Cork World Book Fest 2017

Paul Howard, Eileen Battersby and Anne Sebba, William Wall, Billy O’Callaghan and Alan McMonagle are the first of the writers to be announced for the 13th outing of the Cork World Book Festival running 18-23 April 2017 at Cork City library, at Triskel Christchurch and on Cork’s Grand Parade.

Year on Year the festival has featured an eclectic mix of books of all types – poetry and prose, fiction and nonfiction, travel and memoirs, comedy and cookery. 2017 will not disappoint with tours, book clubs, a full day of teen events and readings by poets and writers both local and international.

18 – 23 April 2017
Cork City library, Triskel Christchurch and on Cork’s Grand Parade.

Martina Galvin and Bairbre-Ann Harkin : Cubus

The Butler Gallery is delighted to present Cubus, an exhibition of new sculpture by Martina Galvin.

Martina Galvin’s work is involved with form and spatial awareness and can incorporate photography, installation, drawing and sculpture. The basic physical and conceptual elements in her work are light and colour, relating its dual physical presence as both strong and delicate at the same time. Her ardent passion for colour originates from her earlier painting background.

Galvin presents evolutions of earlier sculptural works alongside a body of new work developed specifically for the Butler Gallery. This new work explores the use of industrial materials that includes painted steel, wood and acrylic. The installation titled Cubus is a series of repeated geometric forms painted in a range of dynamic colours. These immense squares stand directly on the floor and as a result force the viewer to confront them according to their own, material existence. They invite us to contemplate space. Through them we return to the purity of this simple revelation, that they, like us, inhabit space, disrupt space, contain space, define space, contextualize space and bring order to space. Despite their simplicity, they’re infinitely complex in their ability to challenge and engage us.

The use of linear acrylic rods in many of the other works in the exhibition acts as a conduit to radiate light, line, colour and intricate shadow, all fundamental elements of her work. Galvin is interested in the ethereal, transient and sublime nature of light, its colour, and the many phenomena light creates all around us.

The painter Paul Klee is noted for saying ‘drawing is taking a line for a walk’. Galvin successfully delivers this objective in a sculptural way using an economy of means that is wonderfully realised in the works that make up this exhibition.

11 March – 23 April, 2017
Butler Gallery, Kilkenny

Dermot McNevin : Night Falls

Dermot McNevins uses paint and film to explore the tensions felt in our inner and outer worlds. The title of his latest body of work is’ Iomramh’ (pronounced Imram). An Iomramh is a class of Irish epic tale in which the hero undergoes a journey, often by sea. For Dermot, the act of painting itself is an Iomramh, a journey into the unknown where the journey itself is as important as the outcome.

In a recent feature from the Irish Arts Review, Gerry Walker described Dermot’s work as having “both depth and purpose and are laden with feelings of primal and nostalgic innocence unburdened by didactic intent”. Dermot is a “process painter who allows the visual elements to influence but not dictate his work”.

1st – 21st April, 2017
Solstice Arts Centre, Navan, Co. Meath

Des Keogh : The Quiet Land

Two elderly farmers, Eamon and Nashee, meet at a gate on a remote hillside. These men are old friends, old rivals, old neighbours. They are men of heart, of humour, of hardness. Their conversation is a throwback to a gentler time, when silence was as telling as declaration, and meaning was more often found between the lines than on them. But there’s nothing gentle about today’s conversation. In facing the bitter reality of their remote defiance, they have grown fearful and desperate. Now they are forced to confront each other with some heartbreaking truths that test their friendship to its limit. The Quiet Land is a celebration of the humour, resilience and endearing innocence of an exiled generation as it struggles to survive in the isolated rural Ireland of today. It is Malachy McKenna’s heartfelt tribute to a rare breed of forgotten men who live a long way in off the road. Winner of the PJ O’Connor Award 2014, directed by Bairbre Ni Chaoimh.

“Two quietly epic performances…..don’t miss it.” – Emer O Kelly, Sunday Independent

“A glorious, perfectly-pitched pair of performances.” – The Scotsman

TOUR

Paul Dunne : By the Bog of Cats

Following the success of three major productions at Visual in 2016, Carlow Little Theatre Society return to the George Bernard Shaw Theatre in April 2017 as part of this year’s Pan Celtic Festival with Marina Carr’s provocative and bewitching play ‘By the Bog of Cats’.

Blending Greek myth and Irish folklore, this surreal drama is loosely based on Euripides’ tragedy Medea and tells the prophetic tale of Hester Swane, an Irish Traveller, who attempts to come to terms with a lifetime of abandonment in a world where all whom she has loved have discarded her. Set on the bleak, ghostly landscape of the Bog of Cats, the play is a furiously uncompromising tale of greed and betrayal, of murder and profound self-sacrifice, all interspersed with moments of great humour and levity.

Fri 21st – Sun 23rd Apr, 8pm
Visual Carlow

Áine Ryan : Up the Hill Jackie

Up the Hill Jackie is a new play by Áine Ryan and was performed at Central Arts on Friday 24th and 25th March – with a tour scheduled (see below) following the success of the show’s premiere at The Source Arts Centre in January. Áine previously performed at Central Arts at Imagine Arts Festival in 2015 with Kitty in the Lane which got very good reviews all round.

This is the third play by Áine Ryan. It will be performed by Áine Ryan and Erin Ryan, also real life sisters. The plot revolves around the sisters who have lost their parents in a car accident and are living with their aunt in rural Ireland. The youngest sister Jackie is still in school and the older sister Rita is desperate to go start a theatre career in London but is staying put in the house until Jackie finishes her education.

Jackie gets pregnant, and tells Rita that the father is Mick, their aunt Maureen’s fiancé. Rita feels sixteen year old Jackie is far too immature to have this child, never mind the effect she predicts it would have on their aunt who has been very generous toward them. Jackie is madly in love with Mick, though, and thinks that having his child might be her only way of sustaining a relationship with him after he gets married to Maureen next week.

All set in London on the weekend of the abortion appointment, the girl’s plan goes completely pear shaped when they bump into their aunt unexpectedly also over from Ireland for the weekend. Rita sends Jackie to the clinic alone, and spends the day shopping with aunt Maureen instead. However when Rita arrives at the clinic later that afternoon to meet Jackie, a new surprise awaits her, and the evening starts spiralling out of both sister’s control…

Tour Dates:- upthehilljackie.eventbrite.ie/

Jennie Guy : It’s Very New School

A group exhibition at RUA RED exploring how art can impact education, featuring work from John Beattie, Sarah Browne, Ella de Búrca, Priscila Fernandes, Mark O’Kelly, Maria McKinney, and Sarah Pierce.

Curated by Jennie Guy

This exhibition addresses a crisis.

The arts component of the Irish Leaving Certificate curriculum has remained largely unchanged for over 30 years. Students emerging from this program are effectively isolated from the language, modalities and potential of contemporary art. Thinking outwards from the parameters specific to this isolation, this exhibition advocates for change within much broader sites of education, producing a contagious effect that forces us to reconsider larger institutional deficiencies.

Participating artists have been asked to create work that considers these themes within the context of this gallery exhibition. The Art School platform often functions by staging artists within schools, so that the school itself becomes the site of production. It’s Very New School is different: We are working outside of the school, bringing these themes from the school into the gallery.

Some of the goals of It’s Very New School are:

To provide sites for artists to explore their relationship (in some cases as yet unchartered) with non-tertiary education.
To demonstrate to children and young people (both directly and indirectly) that there are different perspectives about how (and what) we learn.
To create a sharp focus on artistic research in order to encourage more active involvement from young audiences.
To create a multi-faceted ‘project’ that is legible in longer-term international dialogues about art and education.

For audiences of all ages.

Events

March 3rd, 18:00 – 20:00
Exhibition preview and opening introduced by Ruairí Ó Cuív, Public Art Manager, Dublin City Councilf and Maoliosa Boyle, Director of Rua Red. The event will feature a performance by Sarah Pierce and actors from Tallaght Community Arts.

March 4th, 13:00 – 14:30
Artist led Workshop with John Beattie for families and children aged 9+. 5 euro per participant. Spaces are limited so booking advised. Postponed please ring reception for more information 01 451 5860

March 4th, 15:00 – 16:00
Artist Talks with John Beattie and Priscila Fernandes and Curator jennie Guy.
Join artists John Beattie and Priscila Fernandes for a walk through of the exhibition where they will discuss their individual works and the themes that the exhibition addresses. Guy will also discuss her longer-term project Art School. Open to all ages. Tickets are free but booking is essential.

April 6th, all day
Artist Lectures with Mark O’Kelly and Sarah Browne
Throughout the day, Artists Mark O’Kelly and Sarah Browne will deliver lectures and workshop-sessions to South County Dublin Schools that participated in the residency. These sessions are directed towards participating schools but the Galleries remain open to the public.

April 8th, 14:00 – 15:30
Artist Talks with Sarah Browne, Maria McKinney, Mark O’Kelly, and Sarah Pierce.
A three part discussion with the artists who have contributed works to the exhibition, followed by an open Q&A. Open to all ages. Tickets are free, but booking is essential.

April 8th, 17:00 – 18:00
Performance of The Square
A Performance by actors from Tallaght Community Arts, working with artist Sarah Pierce. Open to all ages. Tickets are free, but booking is essential.

IT’S VERY NEW SCHOOL
4 MAR – 22 APR | GALLERY 1
RUA RED, DUBLIN

Ciarán Taylor : The Flood

Close your eyes as the inventive Carpet Theatre brings you a fascinating play in the dark, where live music, sound effects and smells swirl around you. It’s the floods of 2011. David, an old sailor with failing sight, mops a leak in his kitchen all night. His family are out of reach and the Council are too busy to help. As the rain pours and the waters rise, a lifetime of memories flows through his head. Struggling to keep mind and body together, can he weather the storm and plot his course to a new dawn?

Performed by Crazy Dog Audio Theatre veteran Roger Gregg and actor Karl Quinn, using the props of old fashioned radio drama. Suitable for audience with sight loss. Optional blindfolds provided.

‘Inventive, clever, mischievous and funny ….fabulous experience’

‘Because I couldn’t see… I felt as if I was there’ Audience responses

‘devised theatre at its best’ Irish Examiner on Carpet Theatre

Tour Dates and Box Offices:

19 April – Droichead Arts Centre droichead.com 041- 983 3946
24 April – Dunamaise Arts Centre dunamaise.ie 057- 866 3355
25 April – Wexford Arts Centre wexfordartscentre.ie 053- 912 3764
26 April – Riverbank Arts Centre riverbank.ie 045- 44 8327
27 April – Backstage Theatre, Longford backstage.ie 043- 334 7888
28-29 April – Civic Theatre, Tallaght civictheatre.ie 01- 462 7477
5-6 May – Granary Theatre, Cork granary.ie 021- 490 4275

Janice de Bróithe and Ally O’Neill : Alice in Wonderland

Alice is bored. Everything is school and homework and always doing what you’re told. Until she follows a White Rabbit down a hole and her whole life is quite literally turned upside down and almost inside out. Suddenly, she finds herself in a strange land with no school and no homework and no one telling you what to do! Far from being scared, Alice is curious and soon makes friends with Cats, Caterpillars and Queens. Unfortunately, friends become foes and Alice may be trapped forever.
How will she escape?
Come follow Alice and JUMP down the rabbit hole to WONDERLAND; where nothing makes sense, everyone is mad, and it is always, always time for tea.

Written & Directed by Janice de Bróithe
Choreography & Movement Direction by Tara Landers
Musical Direction by Chris O’Sullivan

PERFORMANCES:
Friday 7th April 7.30pm
Saturday 8th April 2.30pm & 7.30pm
Sunday 9th April 2.30pm

Visual Carlow

Michael Dempsey : Port life

Audiences can experience the works of acclaimed Belgian artist Eugeen Van Mieghem for the first time in Ireland next year, through an exhibition depicting the vibrant life of the Port of Antwerp at Dublin City Gallery The Hugh Lane.

Eugeen Van Mieghem: Port Life is a fascinating visual account of the pulsating life of a working port at the beginning of the 20th century. Van Mieghem’s work represents a social history, exploring themes of migration, globalisation, port society, the working community, and, the life of the artist – themes that resonate with Dublin as a port city.

Admission free.

09 February 2017 – 11 June 2017
Dublin City Gallery The Hugh Lane

Amy O’Dwyer : Ledwidge

“He shall not hear the bittern cry

In the wild sky, where he is lain”

A call to arms. War Poet Francis Ledwidge (Ethan Dillon) is torn between his love for Shivvie (Katie O’Kelly), and Ellie (Amy O’Dwyer), his friend and confidante. In spite of their fears, he enlists in Captain Dunsany’s (Ian Meehan) regiment, and is dispatched to Suvla Bay.
Excelling as a sniper, Ledwidge distinguishes himself at Gallipoli, but the poet remains conflicted.
BBC Stewart Parker Award winning writer Gerard Humphreys’ ‘LEDWIDGE’, explores the poet’s personal conflict during World War I and his early life as a trade union activist in a class ridden society on the eve of revolution. ‘LEDWIDGE’ presents its subject in the context of his art and politics, bringing to life the adventurous spirit of Ireland’s greatest war poet.

Tour Ireland

Lily Hibberd : Data Horizons

Data Horizons is the result of a collaboration between the Extreme Light group at Heriot-Watt University and Lily Hibberd, Leverhulme Trust artist-in-residence at Heriot-Watt throughout 2016. Led by Prof Daniele Faccio, the Extreme Light group develops experiments in laser physics and quantum optics, inspired by general relativity and the physics of curved spacetimes. These artworks produce encounters with otherwise invisible or inaccessible information emerging from cutting edge research to bridge the gap between every-day and extraordinary behaviour of light.

Black Hole Horizon is a sound installation inspired by Extreme Light’s artificial black hole experiment. Descending into the basement of Summerhall, you will enter an acoustic tunnel where data collected in the lab at Heriot-Watt is transformed into 3D sound.

The kinetic sculpture Slow Light sees the fastest thing in the universe travel at snail’s pace in a fluid medium. In a vacuum, light travels at 300,000 km per second, equal to three trips round the earth in the blink of an eye.

Venue: Basement Gallery – Summerhall
11:00 – 18:00
1st April – 12th May

Jim Nolan : Johnny I Hardly Knew Ye

‘Pearse, Connolly, McDermott and the rest of their merry men; they died for a Republic. But we don’t live in a Republic. We live in an economy’

A wry and funny look at Irish life one hundred years after the 1916 Rising, what have we become, what is important to us?

From the offices of the Inishshannon Chronicle, the intrepid staff report the news as the country faces a General Election, their town attempts to mark the 1916 Centenary by celebrating a rather tenuous connection to the Rising and their own futures are threatened by a corporate takeover of their newspaper.

These events put the editor of the Chronicle on a collision course with his new bosses, challenging everything he believes in. Then throw in a Latvian man who believes he is the brother of Jesus, a missing solicitor and a ferret on the loose in mass…

Through a series of plot twists and with a liberal dash of humour Jim Nolan delivers a timely reflection on the distance between the vision of 1916 and the culture and values of Ireland today.

Tour Ireland

Sebastian Verea : Sounds of the Anthropocene

A collaboration between Universidad Nacional de San Martín, Argentina and C-EENRG at Cambridge University, UK, artist Sebastian Verea’s Sounds of the Anthropocene is a multimedia experience played by Earth´s rotation in real time, that shows the new geological epoch that we call Anthropocene fleshing out the unprecedented humankind footprint on our planet. Sounds of the Anthropocene is a project aims to raise awareness of humankind´s unprecedented footprint on the Earth and, more fundamentally, to flesh out this singular moment in human history from the perspective of sounds.

Specifically, it aims at translating data from stratigraphic markers of the Anthropocene into sound, expressing the state of our planet in the shape of music stemming from the Earth’s changing condition, creating music and sound material of its own singular kind, expressing the singularity that we call the Anthropocene. All sounds are triggered by the sun´s altitude in each stratigraphic marker, using astronomical equations to calculate the values in real time.

Venue:
Corner Gallery
11:00 – 18:00
1st April – 12th May

James Howie : Science Festival 2017

Each year, since 2012, we hand over the keys to Summerhall to the Edinburgh International Science Festival, reuniting the former Royal (Dick) School of Veterinary Studies back to its scientific foundations. They turn our multi-arts venue into their Festival hub, complete with exciting shows and activities for families and young people, fascinating discussions, debates and interactive events for adults and a contemporary art programme.

The 2017 Edinburgh International Science Festival invites you to #GetConnected…to science, to one another and to the global community, to explore how science and technology can help us secure a creative and sustainable future. The Festival runs from 1–16 April with a programme packed full of shows, exhibitions, drop-in activities and special events!

Sat 01 Apr 2017 – Sun 16 Apr 2017
Summerhall

Hannah Imlach : From the Dark Oceans Comes Light

Sat 01 Apr 2017 – Fri 12 May 2017
Meadows Gallery, Summerhall

From the Dark Ocean Comes Light is a new body of sculptural work by artist Hannah Imlach, resulting from a year-long residency within The Institute of Biological Chemistry, Biophysics & Bioengineering at Heriot-Watt University and the Changing Oceans Group at The University of Edinburgh (funded by The Leverhulme Trust). Imlach’s new work crosses between two revolutionary areas of biological research; relating the worlds of deep-sea cold-water coral reefs off the West Coast of Scotland and current medical research, where new techniques have revealed a world of fluorescent molecules inside cells.

The sculptures created reference historical and contemporary optical processes used by scientists to reveal environments, which are otherwise inaccessible. They aim to give an immersive glimpse of these underwater and microscopic worlds, akin to the ‘charmed period’ experienced by scientists when discovering something for the first time. Also included in the exhibition will be documentation of the scientific and creative research processes, incorporated within the residency.

During her time at Heriot-Watt University, Imlach spent time within the Super High Resolution Imaging Facility, researching the process of fluorescent microscopy and its connection to the marine world. Her work at The University of Edinburgh focused on the threat posed to our coral reef habitats by ocean acidification and how these environments are researched and understood.

Louise Mackenzie : GENOCENTRIC

Genocentric is an exhibition of new and evolving work by artist Louise Mackenzie in collaboration with Northumbria University, Newcastle University and Edinburgh University, exploring affective responses to working with life as biotechnological material. Taking as a starting point the concept of ‘life as subject’, Mackenzie has developed a means to store her thoughts within the DNA of living organisms and in a series of works, attempts to tease out the agency of the organism. Genocentric explores a perceived imbalance between the privileged placed of technology, media and code on the one hand and the use of life as material on the other. The work shifts focus to the unknown futures of working with life as material and in doing so, develops a relationship to the organism that questions our distance from the subject through layers of technology.

Louise Mackenzie’s research is kindly supported by Northumbria University, the Institute of Genetic Medicine, Newcastle University and the Centre for Speech Technology Research, Edinburgh University

Venue: Machine Shop
Sat 01 Apr 2017 – Fri 12 May 2017
11:00–18:00