Aleksandra Amaladass and Ryan Coyne : Humans need not apply

In an automated world, is it nearly time to put humans out to pasture? Does the future resemble a leisure-time utopia or a robot-tended human-zoo? Will the notion of work become a thing of the past if machines really can do everything better, faster and for longer?

HUMANS NEED NOT APPLY will interrogate the supposedly seismic changes that artificial intelligence (AI) is foisting on society. From art and design speculations on a post-work world to explorations of the trickier ethical questions around machine learning, this exhibition will ask how economists, sociologists and educators are (or are not) preparing us for a world where intelligent machines surpass us in nearly every skill our labour market values.

This exhibition has been carefully designed by our curators William Myers, Amber Chase, Damien Henry, Lynn Scarff and Ian Brunswick to help you explore the idea of computers creating culture, from algorithm-driven artworks to responsive robots and animatronic desk lamps.

February 9 – May 14, 2017
Science Gallery, Dublin

Charles Jencks : The 2017 Solstice Lectures, Town Hall, Sanquhar

The Solstice Lectures run each Summer in late June in Sanquhar’s Town Hall.

Featuring a panel of international scientists with an interest in the scale, origins and nature of the universe, this year’s panel is being coordinated by exhibition curator Tim Fitzpatrick and Carlos Frenk of the University of Durham.

Running from the evening of Friday 23rd June through Saturday 24th Carlos’ keynote lecture will be followed with contributions by major figures on Saturday, including Noam Libeskind.

The work of Noam and Carlos will also feature alongside that of Daniel Libeskind (Noam’s father) and Charles Jencks in an exhibition titled COSMIC COLLISIONS. This is taking place at the MERZ gallery in Sanquhar from 23rd June till 7th September.

On 24th June Charles will unveil his latest contribution to the nearby Crawick Multiverse and between 23rd June and 7th September there will be numerous ‘Cosmic Conversations’ running at A’ the Airts, the arts and literary centre in Sanquhar.

In addition the MERZ exhibition, Crawick Multiverse and Ian Hamilton Finlay’s Little Sparta at Dunsmyre feature in a Bus Tour running throughout August under the auspices of the Edinburgh International Art Festival.

Further information will appear as available on:

facebook.com/MERZ-Workshop-188102691652257/
facebook.com/crawickmultiverse
facebook.com/A-the-Airts-Community-Arts-Centr…/…

Ben Reilly : The Old and the Weary

GOMA presents ‘The Old and the Weary’ a solo exhibition by Ben Reilly.
The world stepped into when we explore Ben’s work is made up of things, materials, objects, stuff. Is it a door handle? A leather boot? A bag of materials that looks like but isn’t quite coal? Does it matter? These are old things. But the sense of the old is that of time as something pure. Unlike the reworking of the past we find in so much popular culture, this is a sensuous oldness; we want to touch and explore. We want to feel the object of time itself. The installation Zeppelinis one example. The title refers to the object of the zeppelin itself with all its historical associations. But when engaging the sculpture, we are drawn to its clunky feel, its use of essentially old materials, bringing us back to that sensuous oldness that is not the past but time.

Gallery opening hours: 1pm to 6pm from Thursday to Sunday

11 March to 30 April 2017
GOMA Gallery of Modern Art Waterford, 6 Lombard Street, Waterford

Charles Jencks & Daniel Libeskind : Cosmic Collisions at The Ogden Centre, University of Durham

The architects/artists Charles Jencks and Daniel Libeskind will be exhibiting COSMIC COLLISIONS with the cosmologists Carlos Frenk and Noam Libeskind at MERZ Gallery, Sanquhar from June 23rd till September 7th.

Carlos Frenk is organising this year’s Solstice Lectures at Sanquhar Town Hall over the evening of Friday 23rd and throughout Saturday 24th June.

Charles Jencks is launching his new Cosmic Collisions element to the nearby Crawick Multiverse on the 24th June.

The MERZ exhibition and installation will run till 7th September while the Crawick Multiverse remains open all year round.

Further information will appear as available on:
facebook.com/MERZ-Workshop-188102691652257/
facebook.com/crawickmultiverse
facebook.com/A-the-Airts-Community-Arts-Centre-595178620623135/?fref=nf

Kevin O’Keeffe : LUAC exhibition at Luke Wadding Library

WIT LúAC In The Library is the second exhibition of 2017 for the LúAC art collective. LúAC were invited by Kieran Cronin, Developmental Librarian at Waterford Institute of Technology to exhibit in the Library after he opened LúAC’s previous exhibition in the City Library, Waterford.

The exhibition stages a number of artworks that explore various ideas, such as abstract in the miniscule, beauty in the detail and taking the viewer on a journey to another place. Included in the exhibition are installation works, print, painting and photography.

LúAC is a Waterford based art collective comprising of Ailíse O’Neill, Kate O’Beirne, Kevin O’Keeffe, Rosemary Dulson, Aidan Dunne and John Moloney.

The collective formed over a year ago and have been continually exhibiting in galleries across Waterford and Kilkenny since then.

Exhibition dates: 10 March – 10 April 2017.
Luke Wadding Library, Waterford

Danny Osborne and Frieda Meaney : Landmarks and Lifeforms

Sculpture cast from red hot lava, fin whale bones engraved with the whale’s final journey before beaching, a video installation layering endangered fish with a chorus of birds and prints of dinosaur skeletons; these are some of the intriguing artworks that feature in the latest exhibition at Uillinn: West Cork Arts Centre, Skibbereen.

Landmarks and Lifeforms is an exhibition by Danny Osborne and Frieda Meaney, two artists who live and work on the Beara Peninsula on the western seaboard. The artists’ interests in geology, biology, marine science and zoology as well as travel and navigation is presented in this exhibition through painting, print, video installation and sculpture, combining scientific with artistic interpretations of the natural world. Their individual artworks are presented alongside a large collaborative print work where Osborne’s images of cooled lava forms are placed side by side with Meaney’s bird, gorilla and human heads.

A panel discussion with Frieda Meaney, Danny Osborne, zoologist Dr. John Quinn, and poet and navigator, Theo Dorgan will take place on Saturday 1 April at 12 noon.

10 March to 20 April
West Cork Arts Centre

Lorraine Neeson : Current

Lorraine Neeson works primarily with lens based media, light, sound, video installation and architectural intervention, to create multi-sensory environments that disrupt and disorient a conventional sense of spatial and temporal logic.
The combined series of works presented in Current in the West Gallery of Sirius Arts Centre, explore the notion of rupture and repeated interruption within the viewing experience. A fundamental device is the simultaneous representation of conflicting states of revelation and obliteration. In the half-light environment, reduced visibility causes dark surfaces to fluctuate as both optically reflective and absorbent. The architectural features and shifting light within the room appear and disappear as the viewer navigates the space. The provisional alignment of the present moment – the here and now, becomes dislodged, delayed or repeated.
Carefully chosen materials such as black glass in a yew frame operate as signifiers to other worlds – the yew tree commonly found growing in Irish graveyards and the black glass as a medium for ‘scrying’ – a practice of peering into a suitable medium in the hope of detecting a message or vision. Dislocating devices and strategies including time loops, repetition and interferences in transmission, all contribute to an environment of instability and shifting awareness, pointing to spaces and realms outside the immediately visible or understood. Lorraine Neeson lives in Killarney, Co. Kerry. She works from her studio at Backwater Artists’ Studios in Cork and lectures in Fine Art Lens Based Media at Limerick School of Art and Design.
Lorraine Neeson lives in Killarney, Co. Kerry. She works from her studio at Backwater Artists’ Studios in Cork and lectures in Fine Art Lens Based Media at Limerick School of Art and Design.

Sirius Art Centre
22 January – 26 March

Miranda Driscoll : Activities at Sirius Arts Centre

Sirius Arts Centre is a multi-disciplinary arts organisation in the Cobh-Glanmire municipal district of east Cork. It is housed in a beautiful Italiante building that was designed by Anthony Salvin in 1854 to house the Royal Cork Yacht Club, the oldest in the world. Salvin was best known for his restoration work on Windsor Castle and the Tower of London. This is the only example of Salvin’s work in Ireland.
For twenty-six years the building has housed the Sirius Arts Centre; an organisation that is dedicated to the facilitation and development of artistic expression on a local, national and international stage. This is the only organisation of its kind in the east Cork area.
Sirius is an arts centre that serves as an intermediary between art and the public that endeavours to raise public awareness of art. It offers developing opportunities for both emerging and more established artists from both Ireland and abroad. The programme is dedicated to the facilitation and development of artistic expression, with additional community programming that encourages exploration through direct participation in the arts.
This is achieved through a mix of activities including: visual arts programming and exhibitions, an international artist in residence programme, music performances, community arts programmes and workshops, all of which bring people to east Cork. The Sirius Arts Centre building provides the organisation with a unique environment and gives continuing life to a heritage building of architectural and historical importance in Cobh.

Sirius Arts Centre, Cobh

Clea Van Der Grijn : Reconstructing Memory

The Model, Sligo
Till 02 April

Reconstructing Memory is a multifaceted experiential and textured exploration of the societal disparities in approaches to death in Mexican and Irish cultures. Film, photography, sculpture, painting and installation are all sensitively utilised in this rich, beautiful and considered exhibition.
Through her artistic practice van der Grijn seeks to unravel the rational, social and emotional circumstances that are constructed around death; and through the use of multiple mediums, she unpicks the complexities of the culture of death and reconstructed memory.

Jonathan Mayhew : I Wanted to Write a Poem

Monday 27th February to Saturday 25th March 2017
Wexford Arts Centre

Wexford County Council and Wexford Arts Centre are pleased to present I Wanted to Write a Poem, a new exhibition of work by Jonathan Mayhew, winner of the Emerging Visual Artist Award 2015. The exhibition will run from 27th February to 25th March at Wexford Arts Centre.

The Emerging Visual Artist Award is a joint initiative between the Arts Council, Wexford County Council and Wexford Arts Centre which acknowledges and supports the development of committed visual artists in Ireland, providing funding to produce and exhibit a body of work.
The work of Jonathan Mayhew intertwines the poetic with post-conceptual practices. Through his interest in poetry, literature and technology, Mayhew manipulates physical and invisible materials to contemplate pockets of daily life.

The title of the exhibition is borrowed from a collection of interviews with poet William Carlos Williams. At 73 years old, Williams held a series of informal conversations which were sorted and compiled in a small book. Through the interviews, William did not elaborate on how he wrote his poems, their meanings or in which context they stand as he did not want to spoil the way people read his work. Similarly, the works in this exhibition, like brief conversations, are left for people to find, eavesdrop in and engage with. Asking, not what are you looking at, rather, what is it you’re seeing or not?

Metadata, information that describes other information, is also a means by which the complexity of an object is represented in a simpler form. Mayhew compares this process to poetry, where words are broken down into simpler forms but can still convey complexity. Poetry is an economic way of communication, finding the most concise way to say or ask something. Working with objects that already exist and shifting them slightly, Mayhew explores these thoughts through the physical and non-physical forms such as USB sticks, vases, portraits, photographs, clocks, discarded books, sound and words. These combined materials overcome their usual functions, implying that things are not always as they seem. Photographs that aren’t photographs, portraits that aren’t portraits, and objects that may seem familiar contain vastly different things inside.

One such work is ‘This is water’ a series USB infused vases. Vases function as containers, from displaying flowers and holding liquids, and are made up of different clays and materials with invisible histories. They can all look very different but still contain similar information/material or can look the same but hold many different things. USB flash drives are holders of various information like a vase, the contents of which are left open as a proposition to be discussed, rather than objects with a fixed meaning.

From Monday 27th February to Saturday 25th March 2017
Wexford Arts Centre

Jon Blackwood : Archipelago

Curated by Jon Blackwood
This exhibition of new work by David Blyth, Derrick Guild and Alan Grieve has grown out of a long process of analysis and discussion of contemporary art in Scotland, and how it measures up against visual practices created in other countries. The three artists presented all have well-established independent practices taking places in localities beyond the familiar Central Belt. The show offers different perspectives on how contemporary visual languages develop in supposedly “peripheral” Scotland. The result is a new body of work greater than the sum of its parts; like all Archipelagos, a show that can be understood by taking each artist as an individual, or jointly.
21st January – 17th March 2017
11:00 – 18:00
Summerhall, Meadows Gallery

Derek Coyle, Thomas McGrath and Nicole Burke : Carlow College Literary Awards & Creative Writing Showcase

13th March 2017
Visual, Carlow

The Carlow College Literary Awards brings together the entire college community to recognise and celebrate the very best of Carlow College literary talent. The awards gather together the college literary community in a spirit of camaraderie and friendly competition to celebrate the best prose and poetry of the past year. First Year Creative Writing class will also present a showcase of their writing.

Ciaran Collins, author of The Gamal, winner of the Rooney Prize for Literature in 2013, and described by the New York Times as ‘remarkable’ and the Irish Times as ‘outstanding’, will present the awards as well as read from his work. Awards will be given for Poetry and the Short Story/Flash Fiction.

Michael Lakes : Sive

The Dunamaise Arts Centre, Portlaoise

The Big Tree Players present Sive by John B Keane

Since forming in 2005, The Big Tree Players have presented annual comedies locally including Cassidy’s Chair, Troubled Bachelor, That Family Feeling, Off the Hook and last year visited Dunamaise for the first time with a sold out night of Many Young Men of Twenty! They are excited to return with this acclaimed JB Keane favourite, featuring a cast of nine, which tells a story of greed, love and social isolation in 1960’s Ireland. Directed by Benny Mills.

Sarah Glennie : IMMA programme 2017

IMMA has announced its programme for 2017. The full details of it can be seen on imma.ie.

The announcement was followed a talk given by Brazilian artist Jac Leirner, of her exhibition “Institutional Ghost” which runs from 14th February to 5th June. She uses utilitarian everyday objects such as rulers, spirit levels and electrical cable to create art. She also finds purpose for small objects which have performed their allotted task such as airline luggage tags or fragile objects of brief use such as cigarette rolling papers. She has represented her country at the Venice Biennale and at Documenta Kassel. The exhibition is site specific to the Courtyard Galleries, East Ground.

From 13th April to 27th August an exhibition in the Main Galleries and on its extensive site will take place entitled “As Above, So Below”. It considers “the role played by certain spiritualist and alternative doctrines in the creation of abstract painting from its origins to the present digital age”. It will cover over 100 years from works by Kandinsky to contemporary works by Steve McQueen and Bruce Naumann with a vast array of artists in between. “Transcending the limitations of what is perceived as spiritual this exhibition embraces the occult, the otherworld, human consciousness, mysticism and ritual, creating a space to reflect and explores these gateways to wonder.”

On 16th June there opens “Sweet Blood Cell” an exhibition by Nan Goldin. It is the first solo exhibition by her at IMMA and will present pivotal works from her intensely personal, spontaneous, sexual and transgressive photographs. Intriguingly it will also contain previously unseen work by her from Ireland. This exhibition continues until 15th October.

Appropriately coinciding with the Nan Goldin show is a solo exhibition by Irish artist Vivienne Dick entitled “93% Stardust”. She is an internationally celebrated film maker and artist who lived and worked in New York in the late seventies and early eighties. Dick’s work formed part of two major retrospectives of American avant garde film: No Wave Cinema 1978-87 (1996) at the Whitney Museum, New York and Big as Life: An American History of Super8 Film (1999) at the Museum of Modern Art, New York and the Philadelphia Museum of Art. Her work was the subject of a retrospective at the Crawford Arts Centre in 2009, with an accompanying monograph co-published by the Crawford Arts Centre and the LUX Tate Modern, London in late 2010. Her time in New York overlapped with Goldin with whom she is friendly.

Meanwhile the current manifestation of the Freud Project continues until October 2017. The exhibition consists of a selection of 30 of the artist’s paintings and 20 works on paper. If not visited already, it should not be missed. October is not that far away!

These are some of the highlights. Throughout the year Imma has an extensive programme of talks, lectures, workshops, happenings and events. The website gives the details.

IMMA, Dublin

Stephanie Hood, Ethan Allison, Donnacha Adams and Shannon O’Doherty : Zero for the Young Dudes

Greise Youth Theatre
Riverbanks Arts Centre, Newbridge
10th and 11th March 2017

By Alistair McDowall performed by Greise Youth Theatre. The inmates at a bizarre summer camp are plotting a revolution. Or has it already happened…Spending a day watching their schedule of exercise, lessons and meals, a long history of unrest and injustice lies hidden, and as the day wears on, a violent future looms large on the horizon. The play contains strong language and violent scenes which may not be suitable for anyone under 13.

Ben Barnes : My Real Life

Wexford man Noel has advanced MS and decides to end it all. While waiting for his overdose to take effect he records an increasingly rambling message for his best friend. Noel has apologies to make and messages to send. He has love in his heart and he wants to declare it even if it’s already too late. Noel spends what is possibly the last hour of his life re-living the highs and lows of the past forty years and, surprisingly perhaps, it’s not all doom and gloom. A play that will make you laugh and make you cry.

“Wycherley’s performance really is a tour de force” THE IRISH EXAMINER

Performance footage:
Colin Shanahan, DigiCol Photography & Media Communications

Tour, Ireland

Nora Callanan : Cork French Film Festival

The 28th Cork French Film Festival, coming up 5th to 12th March 2017, brings you the latest and best from France, with a strong emphasis on contemporary French cinema.

The main programme is at the Gate cinema, packed with new releases, Premieres and Previews. There is something for everyone – the very popular Education Programme for second level, family screenings, shorts programme…

Cork French Film Festival is specially honoured to welcome Yann Arthus-Bertrand, internationally acclaimed Photographer and Director, to present his latest film ‘HUMAN’. While in Cork, he will also give a Masterclass in UCC.

Manal Issa, French-Lebanese star of ‘Parisienne’, will be in Cork to introduce her film on International Women’s Day.

Keeping up Cork French Film Festival’s well known tradition of Cine-Concerts and live events, the Festival is delighted to welcome back Cork born artist and composer Raymond Scannell in the Cork School of Music. Raymond will score and perform a commissioned live work for the Festival on silent film ‘L’Appel du Sang’, accompanied by Kate Ellis on cello.

Cork French Film Festival continues its enduring link between food and cinema, with a sumptuous Candlelit Dinner and screening at Ballymaloe. French chocolatier Benoît Lorge will give a demonstration in CIT. Buffet dinner, wine pairing and screening at The River Lee.

For more information, visit corkfrenchfilmfestival.com

Bookings for films – Gate Cinema: corkcinemas.com/home.php

Bookings for events – Festival office: culture@alliancefrancaisecork.com or 0214310677

March 5th, 2017 to March 12th, 2017
Cork French Film Festival 2017, Cork

Adrian Le Harivel : Beyond Caravaggio

The highly anticipated exhibition Beyond Caravaggio opens in the National Gallery of Ireland on Saturday 11 February 2017. It brings together over 40 major works, including four master paintings by Michelangelo Merisi da Caravaggio (1571-1610), complemented by other significant masterpieces by his followers, the Caravaggisti. Many of the works in the show are on loan from private collections, and regional galleries, and this will, therefore, be a rare opportunity for visitors to see works not easily available to the public.

Ticket booking for the exhibition is through the Gallery’s website – here. All tickets include a free audio guide to the show.

Caravaggio is widely acknowledged as bringing a revolution to painting during the Baroque period with his dramatic use of light and uncompromising realism. His work had a long-lasting and wide-reaching influence across Europe. This exhibition will show the ways in which a large number of artists adopted Caravaggio’s ideas and developed them to become masters in their own right. Four major works by Caravaggio will take centre stage in the exhibition: The Supper at Emmaus, 1601 (National Gallery, London); The Taking of Christ, 1602 (National Gallery of Ireland), as well as two works never exhibited before in Ireland: Boy Bitten by a Lizard, 1594-95 (National Gallery, London) and Boy Peeling Fruit, c.1592 (The Royal Collection). Other important works by his followers include a number of French artists, such as Valentin de Boulogne’s Concert with Three Figures, Georges de la Tour’s Dice Players and Nicolas Regnier’s Saint Sebastian being tended by Saint Irene.

Adrian Le Harivel, co-curator of Beyond Caravaggio says: “This exhibition will bring together, for the first time in Dublin, thirty major artists who knew or were inspired by Caravaggio. It underlies the incredible impact that he had on painting at the time, whose ripples are still felt today.”

Exhibition includes:

Michelangelo Merisi da Caravaggio (1571 – 1610)
The Supper at Emmaus, 1601
Copyright The National Gallery, London 2017

Michelangelo Merisi da Caravaggio (1571 – 1610)
The Taking of Christ, 1602
Photo Copyright, National Gallery of Ireland

Michelangelo Merisi da Caravaggio (1571 – 1610)
Boy bitten by a Lizard, 1594-5
Copyright The National Gallery, London 2017

Artemisia Gentileschi (1593 – 1656)
Susanna and the Elders, 1622
Copyright The Burghley House Collection

Cecco Del Caravaggio (1589 – 1620)
A Musician, 1615
Apply House, English Heritage, Photo Copyright Historic England

Pensionante del Saraceni (active in Rome 1610 – 20)
The Denial of Saint Peter, 1615-20
NGI.1178 Photo Copyright NGI

Jusepe de Ribera (1591 – 1652)
Saint Onuphrius, 1630
Photo Copyright National Gallery of Ireland

11 February – 14 May 2017
National Gallery of Ireland

Chanelle Walshe : Beatland

Beatland is an exhibition of paintings by Dublin based artist Chanelle Walshe. The paintings depict human organs, the heart and lungs, in various energetic states. The forms are isolated, unearthed from a nourishing ground, and offered up to the viewer like a gift or a sacrifice.

The title of the exhibition is borrowed from Jeannette Winterson’s novel Art and Lies. The word Beatland refers to the permeable boundaries of our bodies and how the experience of space and energy can extend beyond our five senses; ‘What can balance the inequity of that huge space, which never ends, and my bounded life? Perhaps this: The beatland of my body is not my kingdom’s scope. I have within, spaces as vast, if I could claim them.’

For this exhibition, Walshe’s paintings embody an act of translation through sensation to image. Drawing from a mix of influences from Irish poetry to bog-bodies and the aesthetics of museum display, these works harbour traditional categorizations of life and death and formal renderings of objects, yet they have a contemporary sensibility.

Chanelle Walshe graduated from NCAD in 2010. She has recently exhibited at The Dock , Carrick-on-Shannon, NCAD Gallery, Dublin, Luan Gallery, Athlone and Temple Bar Gallery and Studios, Dublin (Atrium Space). She was a recipient of The Thomas Demmann Award and an RHA studio residency award in 2015.

chanellewalshe.com / chanellewalshe@gmail.com

February 15th – March 4th 2017
Pallas Projects/Studios, Dublin

Derek Coyle, Thomas McGrath and Nicole Burke : Carlow College Literary Awards & Creative Writing Showcase

13th March 2017
Visual, Carlow

The Carlow College Literary Awards brings together the entire college community to recognise and celebrate the very best of Carlow College literary talent. The awards gather together the college literary community in a spirit of camaraderie and friendly competition to celebrate the best prose and poetry of the past year. First Year Creative Writing class will also present a showcase of their writing.

Ciaran Collins, author of The Gamal, winner of the Rooney Prize for Literature in 2013, and described by the New York Times as ‘remarkable’ and the Irish Times as ‘outstanding’, will present the awards as well as read from his work. Awards will be given for Poetry and the Short Story/Flash Fiction.

Rosa Abbott : Deepdrippings

11 February – 25 March 2017
Kerlin Gallery, Dublin

Kerlin Gallery is delighted to present Deepdrippings, an exhibition of new paintings by Phillip Allen. The exhibition will open with a reception in the company of the artist on the evening of Friday 10 February.

Since graduating from art college in London in the early 1990s, Phillip Allen has pursued a path in painting that has taken him from illusionistic, semi-figurative landscapes, to arriving over the past decade at total abstraction. Consistent throughout the evolution of Allen’s practice has been his fascination with the sculptural qualities of paint. This has never been more evident than in his new series, Deepdrippings, where the artist has intensively worked and re-worked the paintings, in some cases for several years, to create a deeply layered surface abundant with impasto paint.

While previous work has seen Allen play with pictorial tradition, using framing devices to challenge the viewer’s perception of space and depth, these new paintings privilege surface over illusion. Shapes and forms buzz and hover as if in mid-air; jostling for our attention, rather than receding into the distance. Deepdrippings is an exploration of density, with tar-like globules almost fizzing on the surface of the paintings. This is intensified in Allen’s highly condensed smaller paintings, which in their minute brilliance recall neutron stars – the smallest but most densely packed celestial objects in existence, of which a teaspoon-sized amount would weigh about 10 million tonnes.

The new work presented in Deepdrippings marks a significant development in Allen’s practice, but as pointed out by the art critic John Yau (Hyperallergic), ‘For all the radical changes that Allen has made … his long preoccupation with paint as matter has become increasingly evident.’

Mark Garry : An Afterwards

11th February until 22nd April 2017
Luan Gallery, Athlone, Co. Westmeath

Luan Gallery is delighted to announce its first exhibition of 2017 entitled An Afterwards which will feature the work of leading contemporary Irish artist Mark Garry. The exhibition will feature new work by Garry and will respond directly to the architecture and design of Luan Gallery. Launching on Saturday 11th February at 6pm Luan Gallery will host a wine reception to which all are welcome.

A native of Mullingar, Garry is renowned for creating delicately considered site-specific installations. In his Luan Gallery show, Garry will respond to the physical gallery spaces while reflecting on time spent visiting relatives in Athlone as a child.

Garry says of his upcoming exhibition:
“When approaching exhibition making I try to make works that respond both to architectural space and a social situation. While there are consistent materials and apparatus’ employed in each exhibition, I respond to each situation with a new set of conceptual criteria”

Garry has held exhibitions at museums and art venues in Europe, North America, Australia and Asia and was one of the artists who represented Ireland at the 2005 Venice Biennale. Most recently Mark has exhibited at the Serpentine Gallery London, RHA Dublin, Whitebox Gallery New York, Galleria Civica di Modena Italy and Dublin’s Hugh Lane and Douglas Hyde Galleries. Garry’s work is held in many private and public collections including The Arts Council of Ireland, the collection of Arthur and Carol Goldberg and The Foundation to Life, New York.

Emma-Lucy O’Brien : The Playground Project

11 February – 21 May 2017
Ground Floor Galleries, Visual Carlow

For spring the ground floor galleries at VISUAL will be transformed into an indoor playground exploring play and a recent history of playgrounds. This exhibition has been realised in collaboration with Kunsthalle Zurich, Switzerland.

Until the 1980s—and in rare cases until today—playgrounds were places for social experiments, risky projects, and spectacular sculptures. Architects, urban planners, artists, parents, and children were invited to leave their comfort zone and to venture something new. Curated by Gabriela Burkhalter, The Playground Project will bring many of these exemplary, but nowadays forgotten initiatives, pioneering acts, and adventures back, and install three playgrounds for children to run, hide and climb. May our cities invent new playgrounds!

The playground is a byproduct of the industrialized city of the twentieth century. Even now, it continues to be both an ugly duckling and a coveted space. A focal point for ideas about education and childhood, about urban planning and public space, about architecture and art, about creativity and control, the playground has repeatedly resisted institutional and ideological appropriation and grown in its own sometimes quite anarchic ways. The coexistence of contradictory expectations, moments of temporary progress, and radical developments makes playgrounds so exciting. Still, as hardly anyone sees playgrounds as part of their cultural heritage, much of their history has been forgotten or can barely be understood anymore—even if all of us often have quite precise personal memories of this niche where we met our friends, took pride in new things we dared to do, braved danger without thinking about it, and learned to confront and resolve conflicts.

There have been four paradigm shifts in the development of the playground in the course of the last 150 years. First, at the beginning of the twentieth century, social reformers took children off the street and onto the playground. Then, at the beginning of the 1930s, the idea arose that children should play with natural materials rather than playground equipment. In the 1960s, the decade of autonomy and do-it-yourself, parents, children, and neighborhood groups began to take charge of playgrounds themselves. Finally, in the 1980s, with the end of social and political utopias, a crisis in playground design began. Today, a new pioneering spirit is being generated by young architects, artists, collectives, and activists.

With Marjory Allen (Lady Allen of Hurtwood), Joseph Brown, Waldemar Cordeiro, Riccardo Dalisi, Richard Dattner, Aldo van Eyck, M. Paul Friedberg, Michael Grossert, Cornelia Hahn Oberlander, Alfred Ledermann, Bernhard Luginbühl, Yvan Pestalozzi, Group Ludic, Egon Møller-Nielsen, Palle Nielsen, Isamu Noguchi, Niki de Saint Phalle, Josef Schagerl, Mitsuru (Man) Senda, Carl Theodor Sørensen, Alfred Trachsel, and more

The exhibition is accompanied by a comprehensive catalog: The Playground Project, edited by Gabriela Burkhalter, with contributions by Daniel Baumann, Gabriela Burkhalter, Vincent Romagny, Sreejata Roy, and Xavier de la Salle, German / English, Kunsthalle Zürich / JRP|Ringier 2016.

The Playground Project is a touring exhibition, curated by Urban Planner Gabriela Burkthaler. It has been realised and adapted for VISUAL in cooperation with Kunsthalle Zürich.

The Playground Project, Installation view, Baltic 2016. Photo John McKenzie, copyright Baltic 2016

Kate V Robertson : Object(hood)

In the last two decades there has been a breakdown of the traditional distinction between a subject and an object, with an increasing focus on the ‘thing’ as a mediator in both human and non-human relationships. In this ambitious exhibition by Kate V Robertson, this contemporary way of thinking is manifested by a large sculptural cabinet that emanates moving-images and spoken word derived from eight unique things from the University of Edinburgh’s collections. Also including creative written responses, Object(hood) echoes encounters between these things and writers, academics and the artist, allowing fascinating historical artefacts to physically connect with the ripples of meaning they have engendered.

Featuring one object each week, the exhibition will reinvent itself around the history and innate properties of the selected things. They include: a brain coral, a Gandharan sculpture fragment, a large mannequin head cast by Eduardo Paolozzi, an anatomical eye model, a Bersag Horn, a large conch trumpet, the figure of Mercury and a death mask of Isaac Newton.

Click here to see the different objects as they appear in collections – updated weekly.

Kate V Robertson gained an undergraduate degree and Masters of Fine Art from Glasgow School of Art. She has exhibited nationally and Internationally, including exhibitions for Glasgow International, BALTIC 39, Eastside Projects and David Dale Gallery. International exhibitions include venues in

New York, Berlin, Nice, Frankfurt and Lausanne.

Robertson lives in Glasgow, is a member and director of Glasgow Sculpture Studios and is represented by Patricia Fleming Projects.

11 February – 8 April 2017
Talbot Rice Gallery, Edinburgh

Margaret McCormack : Juno and the Paycock

20 February – 25 February 2017
The Source Arts Centre, County Tipperary

Thurles Drama Group presents the wonderful human drama by Seán O’Casey to celebrate the fiftieth anniversary of the group. The play is set in a tenement house in Dublin against the backdrop of the Irish Civil War in 1922 and is part of O’Casey’s great Dublin trilogy.
The ambitions, hopes and dreams of the Boyle family and their tenement neighbours are played out against the political and social events of this historical time. An epic tragicomedy, it is the funniest but most moving exploration of an ordinary family set against the poverty and politics of Civil War Ireland.

Stuart Fallon : Between poles and tides

New Acquisitions from the University of Edinburgh Art Collection
David Batchelor, Ian Hamilton Finlay, Ilana Halperin, Jessica Harrison, Fabienne Hess, Daniel Hughes, Daisy Lafarge, Jonathan Owen, Katie Paterson, Isobel Turley, Luc Tuymans, JL Williams

Including three tattooed Doulton figurines, a set of clocks that tell the time of every planet in the solar system, a sculpture created over ten months in a French cave and a large gazing leopard projected over the main Gallery space, Between poles and tides is a dramatic display of work recently acquired by the University of Edinburgh. It features work by established artists, recent graduates and works connected to the Talbot Rice Gallery programme.

Actively building its contemporary art collection since 2012, the University of Edinburgh has been strategically acquiring works that reflect and feed the breadth and depth of its teaching, learning and academic community. Ensuring public access to this collection, Between poles and tides demonstrates the quality and diversity of these new acquisitions. Formally and conceptually dynamic, the exhibition includes sculpture, painting, printmaking, video and poetry; whilst exploring ecology, cosmology, politics and geology. Reflecting a cross-section of contemporary artistic practice, it includes works concerned with appropriation, materiality and the act of collecting itself.

11 February – 6 May 2017
Talbot Rice Gallery, Edinburgh

Paul Nesbitt : 30 years of exhibitions at Inverleith House

Inverleith House is currently closed to the public. PLEASE ENSURE IT RE-OPENS TO SHOW GREAT CONTEMPORARY ART !!!

Inverleith House was designed in 1773 by David Henderson and built for Sir James Rocheid (1715-1787) as his family home and centre piece of his estate in 1774 at a total cost of £4,109. Around 1820 a part of the Inverleith estate was sold to become the Royal Botanic Garden Edinburgh (RBGE). The house was gifted to the Crown in 1877 together with the surrounding land for the purpose of extending the activities of RBGE and for the enjoyment of the public. After restoration work following a fire, Inverleith House became the official residence of the Regius Keeper (director) of RBGE. From 1960 it housed the new Scottish National Gallery of Modern Art, which in 1984 moved to the building of the former John Watson’s Institution in west Edinburgh. On 4 December 1970 the house was listed as a historic building. Since 1986 Inverleith House has been used as an exhibition space by RBGE.

Gary Kearney : Ray of Light

Garter Lane Arts Centre is delighted to present Ray of Light, an exhibition of cityscapes by Gary Kearney. Kearney’s work examines aspects of the city and urban dwelling- its architecture and how the city space is shaped as vast amounts of information are processed and infinitely altered through our obsession with construction and progression. His work presents a stark vision of the urban environment and of modern society, where humans are absent and yet traces of their presence and impact are felt throughout his work.

Thu 9 Feb – Sat 8 Apr
Garter Lane Arts Centre, Ireland

Margaret McCormack : Juno and the Paycock

20 February – 25 February 2017
The Source Arts Centre, County Tipperary

Thurles Drama Group presents the wonderful human drama by Seán O’Casey to celebrate the fiftieth anniversary of the group. The play is set in a tenement house in Dublin against the backdrop of the Irish Civil War in 1922 and is part of O’Casey’s great Dublin trilogy.
The ambitions, hopes and dreams of the Boyle family and their tenement neighbours are played out against the political and social events of this historical time. An epic tragicomedy, it is the funniest but most moving exploration of an ordinary family set against the poverty and politics of Civil War Ireland.

Ivan Daly : DOONMACFELIM

An exhibition of paintings and drawings by Ivan Daly

In his first solo exhibition Ivan Daly presents a series of paintings and drawings made in response to the powerful coastal landscape of Co. Clare. Doonmacfelim is the particular stretch of coastline the artist has drawn imagery from, it’s a small townland near Doolin.

*In Triskel Project Space

Launch 6pm, Thursday 2 February
Runs: 3 February – 19 March
Open: 10am – 5pm Tuesday – Saturday

Ivan Daly is a graduate of LIT Limerick School of Art & Design where he studied Painting and printmaking. He has an established reputation as a Printmaker having several collaborations with the Limerick Printmakers. Six years ago Ivan re-orientated his art practise to immerse himself in painting and drawings. This landscape exhibition is a highly anticipated reveal of how his work has evolved with the new focus on painterly materials.

ivandalyartist.com

Dates:Thursday 2 February 2017 – Sunday 19 March
Venue:Triskel Project Space, Cork